It’s About Time [David’s blog on saturday morning smack-dab]

What more is there to say?

read Kerri’s blogpost about LOVE MORE NOW

smack-dab © 2024 kerrianddavid.com

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Open The Tiny Measure [David’s blog on KS Friday]

My first question: when did UFO (unidentified flying object) become UAP (unidentified anomalous phenomenon)? I know I am late to the party on this one. Like you, I’ve been reading the UAP headlines for a few years and, each time, ask myself the same question: Why the moniker change?

I did a little research this morning and came upon this phrase from Bill Nelson at NASA: “We want to shift the conversation about UAP’s from sentimentalism to science.” Apparently, George Lucas and Steven Spielberg have our space-alien-sentimentalism dialed to an all-time high. Human imagination runs amok with unidentified flying objects and not so much with unidentified anomalous phenomenon.

Language matters. Since our reference point is…us…a flying object, like an airplane or a spaceship implies a pilot, a “being” at the controls. An anomalous phenomenon? It’s another way of saying unusual occurrence and what, exactly, is an occurrence? If it’s unusually amorphous, there is nothing to hang your hat on. The only thing to do is call a scientist or artist since the imagination needs a few parameters to light its fire.

There was another sad-ancient-yet-contemporary-cautionary-tale that popped up in my reading: “NASA recently appointed a director for UFO research, but is not divulging the identity to protect them from the kind of threats and harassment faced by the panel members during the study.” Science and art are -and always have been – dangerous business. Galileo spent his last years on earth under house arrest for publishing his science; it contradicted the firmly-held belief of the day. He was forced to recant his findings or face the fate of heretics.

Belief does not appreciate being contradicted, especially when there is evidence involved – or as is true in the current example – no evidence at all. Belief has a wonky relationship with evidence. We are witness to that all-too-human phenomenon in our times, just as was Galileo. Protecting poll workers and UAP scientists from the violence of those who are unshakable in their faith and/or “news” source (their reference point).

We do not need science (or maybe we do) to see our absurdity.

We have the capacity to exercise our imaginations in this vast universe of possibilities. We have the ability to question if we desire to use it. We have the gift of unbridled curiosity and need not go off the rails into rootless belief if we allow that, “There are more things in heaven and earth than are dreamt of in [our] philosophy”. We can be afraid of ideas, run from progress, or threaten the artists and scientists that force us to open our smallish belief and tiny measure of “normal”. Growth is always preceded by an uncomfortable step into the unknown. A challenge to what we think we “know”.

And then, after the upset, we need to find language to describe the new world that we discover there.

Time Together/This Part of the Journey © 1997 & 2000 Kerri Sherwood

Kerri’s albums are available on iTunes and streaming on Pandora and iHeart Radio

read Kerri’s blogpost about UFO and UAP

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Water, Water [David’s blog on DR Thursday]

‘For in the end, he [Huxley] was trying to tell us that what afflicted the people in Brave New World was not that they were laughing instead of thinking, but that they did not know what they were laughing about and why they had stopped thinking.” ~ Neil Postman, Amusing Ourselves To Death

The water rises.

Last week, at dinner, disconcerted by the headlines, 20 asked if I could explain the politics of our day. “Entertainment,” I thought, but did not say. We – the community – talk about politics – the news of the day – as if it was serious business – because we want it to be – we need it to be – but we seem mortally blind to the emptiness of the chatter. Song and dance. The purpose, after all, is not to inform us but to keep us hooked.

“Water, water, everywhere. Nor any drop to drink.” ~ Samuel Taylor Coleridge, Rime of the Ancient Mariner

Thirst. Purpose.

It’s not an insignificant question to ask, “What is the reason for being?” We seem puzzled by our purpose or at least conflicted, as made apparent by our insatiable division. My theory is that our division is a distraction, it’s an old colonialists trick, baked into our national dna. A magician’s sleight of hand. There’s no better way to control a populace than to divide them. A people united – and not distracted – demand purposeful and responsible governance. Honest discourse. They demand it of themselves, too. They live from and in-service to a cohesive and shared narrative. The deep root of integrity. Purpose, after all, when clear and meaning-full, is always about others; it is always about service to the community. The betterment of all.

“You drown not by falling into a river, but by staying submerged in it.” ~Paulo Coehlo

May You, 55″x36″, mixed media

read Kerri’s blogpost about WATER WATER

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Trouble Love [David’s blog on Not So Flawed Wednesday]

In a surprise twist, Dogga now answers to the name, “Trouble”. It could that in his old age his alter ego is ascendant.

He’s always had two distinct personalities. During the daylight hours, in constant movement, running endless circles, we call him “Crazy Boy”. At night, he is distinctly different, calm and quiet; we call him “Sweet Boy”.

I can’t recall how we discovered his alter ego. One minute he was Crazy Boy and the next he was responding to Kerri’s call, “Trouble!” We performed a specificity-check and called him other names. He rolled his eyes and refused to respond. “Here Trouble!” brought an immediate running-wag-a-wag response. “I think his name is Trouble!” she said.

“What took us so long?” I asked.

We wondered if originally Farmer Don called him Trouble, and perhaps, after 11 years, we were just discovering his real name. Farmer Don needed to find a home for him and no one wanted him because he was, unusual for an Aussie puppy, mostly black. We imagined Farmer Don saying, “You’re my little Trouble-Dog!”

These days Dogga né Trouble complains when he doesn’t get his way. He groans (like me) when he lifts himself from the floor. He snores at night. He licks the achy joints on his front legs. He is, no matter his name, our Trouble, our Crazy Boy, our Sweet Boy, our Dogga-Dog. We are infinitely richer for the daily sweet trouble that he brings us.

read Kerri’s blogpost about TROUBLE

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A Pretty Good List [David’s blog on Two Artists Tuesday]

Two years ago the ice-maker in our fridge stopped working. Our informal poll of fellow fridge owners has confirmed what we suspected: the ice-maker is always the first thing to go. And, since a repair of the ice-maker would actually cost more than the original price of the refrigerator, we have gone old-school and make our ice in trays. Sometimes, when we’re feeling really outlandish, we buy our ice in bags.

This is not a terrible inconvenience. I do not have to go down to the lake in winter and saw out blocks of ice nor do I have to haul the blocks uphill to the ice house and cover them with sawdust. The refrigerator is still capable of making ice; it just requires some participation on our part. And, it couldn’t be easier since we have running water piped directly into the house! From the magic spigot at the sink, I pour the water into the plastic tray and work on my balancing skills as I carry the water-filled tray to the freezer. In about an hour the water is transformed. Ice!

On a recent foray into an antique store we came across the metal ice-cube-trays used by our parents from the time prior to plastics. Kerri chimed, “I remember those from when I was growing up!” and, always the musician, starting making the symphony of sounds produced when the metal handle lifts, cracks and separates the cubes before dumping them into the bowl. She spun her musical rendition into a rhythmic wonder complete with an ice-tray dance. I know deep inside she was working on the lyrics and, had we not been in public, I would have been audience to a completely imagined, fully composed ice-cube-tray-song.

So, topping my list of gratitudes for the day: I saw the inception of an ice-cube song borne of a childhood memory. There was also an enthusiastic spontaneous ice-tray-dance that made me laugh out loud . I have water that comes directly into my house, and a cold box that is capable of making ice if I want it. I do not have to go down to the lake to cut and haul ice as my ancestors did. All-in-all, it’s a pretty good list!

read Kerri’s blogpost about ICE CUBE TRAYS

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Flawed [David’s blog on Merely A Thought Monday]

Over time I have grown more and more fond of our cartoon, “Flawed.” It was initially a collaboration between Kerri, 20, and me and was the source of great hope (we attempted to syndicate it) and many giggles. It was also the origin of our Wednesday melange posts: the prompt for Not So Flawed Wednesday was a Flawed Cartoon.

I noticed that writing and drawing a cartoon transforms you into a dedicated ethnographer. It necessitates paying attention to the world unfolding around you. It transforms you into a collector of the beautifully ridiculous.

The material has to come from somewhere. While we were producing Flawed, we’d move through our days with paper and pencil at the ready or we’d whip out our phone, add a note, send an email or text to ourselves. “What’d-ya see?” was a regular question. Everything was fodder for Flawed. A simple trip to the grocery store became a rich expedition for cartoon possibilities.

While hyper-focused on the actions playing out all around us, one thing became abundantly clear: people are flawed. Thank goodness. All of us are pushing our individual carts through life, gathering our stuff, stacking our importance, wishing other people would get out of our way – until we need them – and then we are grateful for their assistance. We rarely see that we are shopping together, all sharing the same store, the same road, all attending to our aloneness in the midst of abundant and ubiquitous support.

No one is perfect. No one has answers to the big questions. No one is free of flaws or quirks or trespasses or cracked-yearnings. It’s possible that our flaws are what bind us. Wabi-sabi. We are kintsugi held together, made better and stronger by the pure gold of our imperfections. That was – that is – the idea behind Flawed Cartoon.

A few Flawed Cartoon Designs on Society6

read Kerri’s blogpost about FLAWED

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Let The Show Begin [David’s blog on saturday morning smack-dab]

She only calls me “Schnuckums” in the cartoon. It makes me laugh every time, the nuance in this alternate-cartoon-reality of ours.

What is true in both realities is the delight I take in our fashion shows. She regularly asks my opinion about her clothes, “This or this?” Sometimes it’s about her shoes, “These or these?” It’s a riot when we are in the ladies clothing section of a store because other women stare in horror when Kerri asks my opinion – and then their mouths drop open when I actually answer with something aesthetic…style-informed…and not merely a caveman grunt.

Once, when we were shopping for new jeans, she came out of the dressing room and asked, “Do these make my butt look big?” and a women emerged from the next dressing room and said, “Girl! Big butts are in!”

Imagine my dilemma.

read Kerri’s blogpost about FASHION SHOWS

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Tiny Hands. Precious Gift. [David’s blog on KS Friday]

We’ve been writing our blogs together for so long (323 weeks and counting) that this post has become something of a spring ritual: the first dandelion.

Among other things, the first dandelion plucks Kerri’s parental heartstrings. Nothing throws her back in time like the first dandelion of the season. She is regularly contacted by wistful parents after they first encounter her song, Fistful of Dandelions. The power of the arts.

What those wistful parents don’t know is that her song, as well as the first dandelion, fills her cup with yearning for the days when her children freely played in the fields, rolled in the grasses, and ran to her with tiny hands clutching too many yellow dandelions.

Artists do not invent – they articulate what lives in the fields beyond language. They touch what we experience but cannot quite grasp. In her song, she reaches for what parents feel but can barely endure – what she feels but can barely endure: little legs racing across a field, tiny hands holding precious a gift: the new season’s miracle-pop of brilliant yellow. “Dandelions for Momma.”

Fistful of Dandelions © 1999 Kerri Sherwood

Kerri’s albums are available on iTunes and streaming on Pandora and iHeart Radio

read Kerri’s blogpost about DANDELIONS

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Wine Shadow [David’s blog on DR Thursday]

And with no warning, Cat Stevens was suddenly holding a concert in my head: Oh, I’m being followed by a wine-shadow, wine-shadow, wine-shadow. A leapin’ and hoppin’ on a wine-shadow, wine-shadow, wine-shadow…

Carl Jung wrote that “Everyone carries a shadow,…” I suspect Carl chose his verb carefully. Rather than being followed by it, everyone carries their shadow. The absolute weight of weightlessness. The next part of his thought goes like this: “…and the less it is embodied in the individual’s conscious life, the blacker and denser it is.” The moral of his story: get to know your shadow.

I had a long talk with a high priest in Bali. He explained that, according to their belief, they see no need to run from the dark as we do. They strive to make peace with the dark. Keep in mind that their construct is not built upon the hard rock of heaven-or-hell. For them, there is dark energy and light energy. The two dance and balance each other. They are necessary to each other. Our work, he suggested, is to walk between them, hold them both as meaningful and sacred. Getting to know the shadow is about having a relationship with the light.

“Don’t sit down!” she said, jumping up, camera in hand.

“What? What?” I asked looking around. She rarely jumps up like that. Only in the presence of bees.

She pointed enthusiastically at my chair. “Shadow! Shadow!” she whispered, as if her voice would scare the shadow away. She focused her camera on the weighty-weightless.

“It’s beautiful,” I whispered, just in case she was right. I’ve ruined a shot or two in the past by using my outdoor voice. I didn’t want to get “the look” if I caused the shadow to flee before she could snap the picture.

It was during her photoshoot that Cat Stevens popped in. And Carl Jung, not wanting to be out-sung, offered his quote.

“I look forward to getting to know this shadow,” I said.

“What?” she whispered, aiming and re-aiming.

“Never mind,” I smiled.

Did it take long to find me?
I asked the faithful light
Oh, did it take long to find me?
And are you gonna stay the night?
” [Moonshadow, Cat Stevens]

read Kerri’s blogpost about WINE SHADOW

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Secret Sauce [David’s blog on Not So Flawed Wednesday]

The Des Plaines river spilled out onto the flood plain. The trees, not at all surprised, rose tall through the murky water in this yearly ritual of spring. “Has it ever been so high?” she asked. I shrugged.

We walked the path. It mostly rose above the waterline. With water lapping on both sides, the trail sometimes resembled a bridge. A crystal clear day teased forward the colors of the birch and grasses. The world was vibrant and strange. We had the sense that we were walking in another dimension. Second attention; alternate reality.

The beaver tree made more dynamic by its reflection in the water stopped us in our tracks. Were I judging sculpture in nature’s competition, this would be a clear winner. The massive tree, already tipped and chipped at a precarious angle, compounded by the image mirrored in the river overflow gave the illusion of a sphere without roots and heightened the tension of the unstable tree. Weebles wobble and, despite their reputation, sometimes they fall down.

Creative tension. The secret sauce of all good art. Between the river challenging its boundaries, the trail snaking and in danger of disappearing, the vibrant color teased forward by the sun’s eclipse, and the good work of an aesthetic beaver with the notable assistance of the water’s reflection, this walk was as artistically rich, inspiring and refreshing as any day I’ve spent in a gallery.

read Kerri’s blogpost about THE TREE

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