Let It Sit [David’s blog on Not So Flawed Wednesday]

Over thirty five years ago, people I loved, people who loved me, bought me an easel. It was a gift for my very first solo show. All these years later, it is the only easel I’ve ever had, the only easel I use. The only easel I will use. If the canvas is too big, if I can’t put it on my easel, I tack it to the wall.

My easel is well traveled. It moved up and down the west coast. It moved into and out of studio spaces. It rode in the truck to the midwest. It has hosted hundreds of canvases. It has become the Velveteen Rabbit of easels. It is no longer shiny and new. It is covered with layers of acrylic drips and splashes, the support stabilizer is bowed, I must be vigilant to keep it square. It is, I recently realized, my mirror image, my double-walker: I, too, am covered with drips and splashes, my stabilizer is bowing, and I am constantly vigilant about keeping myself grounded and square.

A few days ago, during a studio clean, I decided it was time to do a bit of easel excavation and repair. The build up of acrylic paint on the bottom canvas holder is…prodigious. I wasn’t prepared for what I was about to experience. As I peeled back the layers of acrylic, I unearthed the layers of my creative life. The layers of my life. I could literally associate the colors of the acrylic strata with specific paintings, with specific eras, with foibles and triumphs, despair and new hope. There were many many layers. It was like reading a diary, a life review in spatter.

Tom McKenzie taught me that in order to invite in new energy it is sometimes necessary to close the shop. Lock the door and let it sit. Make space. Time and patience will loosen the grip of old ideas, stale patterns – and open pathways to fresh possibilities. I’ve followed his sage advice twice before. Once I stopped painting for a full year. I not only closed the building but I burned the paintings. In both cases, locking the door was followed by a renaissance, a surge of new and surprising work.

I saw the story of my twice-artistic rebirth as I slowly peeled the history from my easel.

And, as I stripped back the layers of my life, the full understanding of what I was doing settled in. I am cleaning my easel in preparation for my third closing of the building. I am cleaning it so it will be ready for that day-in-the-future when I unlock the door. Spacious and rejuvenated. I have been fighting it. I have been angry about it because I feared it – I always fear that the muse will leave and never come back even though I know in my bones that the muse is the wise-voice asking me to breathe, to make space. Now, as is always the case after a few years of fighting a losing battle, I am accepting it. It’s time to lock the door. Empty the glass. Let it sit.

read Kerri’s blogpost about SPACE

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