In this cloud Kerri sees a dragon. What do you see?
34 years ago Dave bought one of my paintings. It was so new that I’d neglected to sign it. In fact, I’d hung it on my living room wall because I wasn’t certain that it was finished. I was studying it. It was at best a happy accident that he even saw the painting. He loved it and bought it. I boxed it up and shipped it. I didn’t even have a proper photograph of it. Recently, out of the blue, he contacted me to ask if I might issue a certificate of authenticity. I was delighted to whip up a certificate for him but even more delighted to finally have a photo of the painting.
During our email exchange he asked me a question that is commonly asked of artists: “Maybe you could help me with a conversation I have had countless times with my wife and friends over the years.What is going on in the painting?” I smiled, knowing that he was going to hate my answer.
The first rule of artistry, as it was pounded into me, is to never answer the question, “What’s going on in the painting?” Or the song. Or the dance. The reason has nothing to do with keeping it a secret or whipping up a mystery. The reason is that “the art” happens in the moment of direct engagement, the moment when someone (not the artist) sees something in the painting, something personal. Something they bring to it or pull from it. They re-create the painting as theirs. That moment is a moment of creation. It’s the reason I get cranky at curators who feel the need to tell an audience what a painting means or what is going on in the composition; the curator steps between the viewer and their direct experience. They interrupt the creation. It’s like a priest inserting himself between a worshipper and their direct personal communion with their higher power. Some things need no interpretation.
Art is meant to open people to personal insight, to evoke questions or a deeply personal response to what they perceive. To spark conversation and lively debate.
When an artists tells someone what they intended, they are closing down the possibilities, stopping the moment of re-creation.
Dave wrote, “I have had people say it’s a panoramic of a hectic bar scene complete with a dog. Others say it’s showing an individual struggling with themselves, or a metaphysical exercise with multiple persons showing multiple emotions. Any light you can shine on the subject of the painting would be very helpful.” I adored every interpretation he shared.
Many years ago, at my very first art show, during the opening, I followed two old guys around the gallery. They did not know that I was the artist. I followed them so I could eavesdrop on their very lively conversation. They speculated about the meaning of each piece. I was amazed at what they saw. They had fun debating the sanity of the artist. They finally concluded that I must be insane BUT wrapped in their conclusion was the single best compliment I have ever received. After determining that I was insane, one of the gents leaned into his friend and said, “All of the good ones are, you know.”
Imagine how disappointed they’d have been if I had tagged along and told them what each piece meant to me. Trust me, their interpretations were infinitely more interesting than my intention just as, for Dave and his friends, a hectic bar scene with a dog or an internal struggle or a metaphysical exercise…are wildly more satisfying than any light I might shine on the painting. My light would kill the fun and the power of their re-creation.
What do you see? Kerri sees a dragon in the clouds…
read Kerri’s blogpost about DRAGON IN THE CLOUDS
likesharecommentsupportthankyou!
Filed under: Art, Creativity, Two Artists Tuesday, Uncategorized | Tagged: artistry, authenticity, creating, david robinson, davidrobinsoncreative.com, interpretation, Kerri Sherwood, kerri sherwood itunes, kerrianddavid.com, kerrisherwood.com, painting, possibility, projection, story, studio melange, the melange | Leave a comment »



























